CURRENT APPEARANCES   /   VIDEO CLIPS    /   PHOTO GALLERY   /   A TRIBUTE TO ZERO MOSTEL   /   REVIEWS  /  CONTACT

ZERO HOUR

MEET THE CREATIVE TEAM


Jim Brochu JIM BROCHU (Actor/Playwright)
      On May 23, 2010 Jim was awarded the coveted Drama Desk Award for Best Solo Performance of the 2009-2010 New York theatre season.  He recently appeared on Broadway as Andrew McLaren in Brigadoon opposite Christine Ebersole and Len Cariou and in Washington, DC as Willy Clark opposite Theodore Bikel’s Al Lewis in Neil Simon’s The Sunshine Boys.
               Over the past few years, Jim has been leading a double life – both as himself and as the great Zero Mostel in his multi-award winning play, Zero Hour.  Since its premiere in 2006 Jim has been touring the country with the show, garnering both unanimous critical raves and major theatrical honors.
              Along with the Drama Desk, he has won The Ovation Award in Los Angeles (Best Play), the Carbonell Award of South Florida (Best Actor), the Helen Hayes Award in Washington, DC, (Best Actor) as well the Trifecta of New York Nominations: The Drama Desk, The Lucille Lortel and The Outer Critics Circle Award (all for Best Solo Performance of 2010).
             Prior to taking on Zero, Jim was in New York City starring in his Off-Broadway hit, The Big Voice: God or Merman? which he also wrote. The New York Times called it: “Triumphant and side-splitting – a hilarious and utterly enthralling evening of musical theatre.”
        In 2005, Jim was nominated by the Los Angeles Ovation Awards as Best Actor in a Musical for “The Big Voice”, an honor he won from both the Palm Springs Desert Star Awards and the Valley Theatre League ADA Awards. “The Big Voice: God or Merman?” was also given the Ovation Award as Best Musical, presented to himself and composer-partner, Steve Schalchlin, by the legendary Jerry Herman.
             His life was forever changed on June 20, 1959 – the day he saw his father’s friend in a show. Dad’s friend was Ethel Merman and the show was Gypsy. When people asked him what he wanted to be when he grew up, he would respond instantly, “A priest!” When Miss Merman asked him that question on the stage of the Broadway Theatre he responded instantly, “An actor!”
            A native of Brooklyn, Jim produced his first show two months later, a charity revue featuring the Bay Ridge neighborhood kids named The Flagg Court Follies of 1959.
              After four years at La Salle Military Academy where he was nicknamed Sergeant Bilko, he studied drama at Carnegie-Mellon University, where his classmate was Stephen Schwartz, he returned to New York, received his BA in English from St. Francis College (Brooklyn) and made his Broadway debut (on stage at Town Hall) as Christopher Sly in a very bad revival of “The Taming Of The Shrew.” 
        His off-Broadway credits include “Berkeley Square” with Christopher Reeve at the Manhattan Theatre Club, Robert Lowell’s “Endicott And The Red Cross” at the American Place Theatre at St. Clement’s, Ephraim Kishon’s “Unfair To Goliath” at the Cherry Lane, Marvin Gordon’s “To Be Or Not To Be…” at The Barbizon Plaza;  “Skye” at Lincoln Center and Frank Loesser’s “Greenwillow” for the Equity Library Theatre.
             While working as a young stage actor, he appeared in two legendary television commercials – first as a dancing raisin for Post Raisin Bran and then as the “Lemon from Outer Space” with Madge the Manicurist for Palmolive. His television work includes regular stints as Father James on “All My Children,” Judge Julius Weyburn on “The Young and The Restless,” Officer Jerry Chandler on the cult-classic “Mary Hartman, Mary Hartman” and the befuddled bailiff on NBC’s “Sirota’s Court” with Michael Constantine. Although the part was small, he can also boast that he made his motion picture debut in “The Gang That Couldn’t Shoot Straight” opposite another newcomer, Robert DeNiro. 
               His acting career has taken him to regional stages all over the United States, including the Washington Theatre Club in D.C., the Alliance Theatre in Atlanta, The Invisible Theatre in Tucson, two seasons at the Goodspeed Opera House where he originated the role of Flint in “Something’s Afoot,” Theatre Building Chicago, Stages Repertory Theatre in Houston, the Trinity Arts Center in Dallas and the DejaVu Theatre in Los Angeles - where he won the Backstage West Award as Best Actor for his performance as Marvin in Robert Patrick’s “T-Shirts.”
              While playing Tevye at the Waldo Astoria Dinner Theatre in Kansas City, Missouri – he wrote his first play “Cookin’ With Gus” which was immediately published by Samuel French and has since been performed all over the United States and has been translated into several languages for productions all over the world. A huge hit in Quebec, Canada; it was recently taped in French by HBO.
             One play led to another and soon Jim was writing full time. For the theatre, he has written the comedies “The Lucky O’Learys” with Kathleen Freeman, “Fat Chance” with Virginia Capers, “The Lady Of The House” with Rue McClanahan and the off-Broadway smash hit musical, “The Last Session”, which he also directed.
            After “The Last Session’s” New York run (for which he received Drama League and Outer Critics Circle Nominations), the show was named by the Los Angeles Times as one of the ten best plays of the 1998-1999 Los Angeles season, garnering him the Oscar Wilde Award and the GLAAD Media Award. Brochu won another Backstage West Award for his direction of the show, along with the Los Angeles Drama Critic’s Circle Award as playwright.
            In 1988 he got an offer he couldn’t refuse - a call from his idol, Lucille Ball, who had read his play “The Lucky O’Learys” and thought it would be perfect for herself and Audrey Meadows. By the time he finished writing the pilot for 20th Century Fox, Miss Ball was not up to doing the project and it never developed. However, what did develop was a deep friendship between Ball and Brochu that resulted in them spending almost every afternoon together until she died in 1989. Jim chronicled Lucy’s life as she told it to him over the backgammon table in his book, “Lucy In The Afternoon,” published by William Morrow and named as an alternate selection by The Literary Guild Book Club.
            Jim currently lives in his home town New York City where, between theatrical assignments, he travels on the great cruise ships all over the world lecturing about Broadway, Hollywood and the stars with whom he has worked. He is an active member of the Dramatists Guild, the Screen Actors Guild, Actors Equity Association and remains, as the New York Times called him, a true “Man Of The Theatre”.  
            He is a proud member of Actors Equity Association, the Screen Actors Guild and The Dramatists Guild. His caricature hangs on the wall of the legendary Sardi’s Restaurant in New York, a singular tribute to a forty year show business career as an actor and playwright. 



 
PIPER LAURIE (Director)
     Piper has been a guiding force of Zero Hour since its inception and through its developmental stages. She was born in Detroit, Michigan as Rosetta Jacobs, the daughter of a Polish immigrant and his Russian-American wife. Her father was a furniture dealer who moved his family to Los Angeles, California, when she was 6-years-old. Her parents sent her to weekly elocution lessons and in addition to her lessons in Hebrew school, she studied acting at a local acting school, and this eventually led to work at Universal Studios.Universal signed her as a contract player when she was only 17-years-old, She was cast in the movie Louisa (1950), and became very close friends with her costar, Ronald Reagan. 
     She was then cast in Francis Goes to the Races (1951) with 'Donald O'Connor (I)', Son of Ali Baba (1952) with Tony Curtis, and Ain't Misbehavin' (1955) with Rory Calhoun. The studio tried to enhance her image as an ingenue with press releases stating that she took milk baths and ate gardenia petals for lunch. Although she was making $2,000 per week, her lack of any substantial roles discouraged her so much that by 1955 when she received another script for a Western and "another silly part in a silly movie", she dropped the script in the fireplace, called her agent and told him she didn't care if they fired her, jailed her or sued her. From there, she went to New York City to study acting, and worked in live television, starring in The Hallmark Hall of Fame version of Twelfth Night (1957), The Days of Wine and Roses (1958) with Cliff Robertson, which debuted on Playhouse 90 on October 2, and as Kirsten in the Playhouse 90 version of Winterset (1959). In 1961, she got the part of Paul Newman's crippled girlfriend in the classic film, The Hustler (1961). She was nominated for an Academy Award for Best Actress for that role of Sarah Packard. 
     That same year, she was interviewed by a writer/reporter for the New York Herald Tribune, Joe Morgenstern. She liked his casual dress and lifestyle, and 9 months later, they were married. When she did not receive any substantial acting offers after The Hustler, she retreated with her husband to Woodstock, New York, where she pursued domestic activities such as baking (her grandfather's trade) and raising her only daughter, Anne, born in 1971. In 1976, she accepted the role of Margaret White, the eccentric religious zealot mother of a shy young psychic girl named Carrie (1976), played by Sissy Spacek. Piper received her second supporting Oscar nomination for this role. She and her husband divorced in 1981, she moved to Southern California and obtained many film and television roles.
     She got a third Oscar nomination for her role as Mrs. Norman in Children of a Lesser God (1986), and won an Emmy that same year for her acting in Promise (1986) (TV), a television movie with James Garner and James Woods. She has appeared in more than 60 films, from 1950 to the present. Ms. Laurie has appeared in many outstanding television shows from The Best of Broadway in 1954, to roles on Playhouse 90 in 1956, roles on "St. Elsewhere" (1982), "Murder, She Wrote" (1984), "Matlock" (1986), "Beauty and the Beast" (1987), "ER" (1994), "Diagnosis Murder" (1993) and "Frasier" (1993). Her daughter, Anne Grace, has made her a grandmother, and though she lives in Southern California, she frequently visits her daughter in New York.

 


Jim Brochu, Zero Hour Kurt Peterson           Kurt Peterson (Producer)
Kurt and his production company, James William Productions (JWP), create, produce and perform American Musical Theatre. The acclaimed Sondheim–A Musical Tribute at the Shubert Theatre, the first celebration of America’s foremost composer/lyricist, was JWP’s first creation and paved the way for future Sondheim revues and concerts. Gypsy, starring Angela Lansbury, was staged in London and New York with the help of JWP, and  the company also produced the live tours of WPIX-TV’s classic children's show, The Magic Garden, and a national tour of Rob Marshall’s innovative Side By Side By Sondheim. Current projects include co-producing The York Theatre, Little Shubert Theatre, and the U.S. National tour of the new Stephen Schwartz family musical Captain Louie. JWP's recent production of Capture Now will soon be seen on tour nationwide and in London. Next up is Zero Hour, a play about the life of Zero Mostel, which opens Off-Broadway this November. And the new musical, In the Summer of '68, starring Kurt and Victoria Mallory, is to hit Broadway in 2011. Kurt and Victoria will be performing a series of concerts and recording a CD leading up to the opening of In the Summer of '68.

As a performer, Kurt Peterson’s career began when he was chosen by Leonard Bernstein and Richard Rodgers to play Tony in the revival of West Side Story at Lincoln Center. He then played opposite Angela   Lansbury in Dear World, starred Off-Broadway as Dick in Dames at Sea, created the role of Young Ben in Stephen Sondheim’s Follies, played Gabey in the revival of On the Town, and performed in By Bernstein, a celebration of Leonard Bernstein songs. As the leading man, he sang “Proud Lady” in the Broadway-bound The Baker’s Wife and appeared in Town Hall’s productions of Knickerbocker Holiday, Music in the Air, and I Married An Angel. In addition to appearing in many regional productions, Kurt also starred as Robert in the highly acclaimed Canadian premiere of Company as well as in the JWP-Rob Marshall Side By Side By Sondheim. Recently, Kurt played (older) Ben in several Follies concerts around the country, most noteworthy the Michigan Theatre concert where the original four young ghosts played their older selves. He was then featured with them in both celebrations honoring Stephen Sondheim on his 75th Birthday, Wall to Wall Sondheim at Symphony Space and Children and Art at The New Amsterdam Theatre.

Kurt is the owner of New York City’s The Voice Studio, home to 30 voice teachers and more than 500 students.

Kurt is married to "dishy dancer" Julie Peterson and they are the proud adopted parents of their equine child, Totally Timothy: a gorgeous 16.1 hand, chestnut thoroughbred/draft cross gelding... their big bundle of Joy.


Edmund Gaynes (Producer)
Ed Gaynes has produced The Rise of Dorothy Hale, The Big Voice: God or Merman?, A Brush With Georgia O'Keeffe, Picon Pie, Emily Mann's Annulla, Trolls, Panache, Chaim's Love Song, Matty: An Evening with Christy Mathewson, and Bein' With Behan (Outer Critics Circle Award nomination) Off-Broadway. He is the producer of the current National Tour of Gilligan's Island: The Musical. He also appeared as an actor in 13 Broadway and Off-Broadway shows including Promenade, Edward Albee's Bartleby and Best Foot Forward, in which he co-starred with Christopher Walken and Liza Minnelli. His TV credits range from Mary Martin's Peter Pan to Cheers, Kojak, The Ed Sullivan Show and two years as Paul Stewart" on As the World Turns. Mr. Gaynes currently operates St. Luke's Theatre, and along with Louis S. Salamone, The Actors Temple Theatre and Theatres at 45 Bleecker Street.

The Peccadillo Theater Company
(Producer)
Under the direction of Kevin Kennedy and Dan Wackerman, the Peccadillo Theatre Compnay is in its second decade of producing forgotten American classics - "forgotten" in the sense that most of the work they do has seldom, if ever, been revived in New York City, and "classic" in the sense of enduring theatrical value.Their production of Room Service transferred from Bank Street Theatre and played for more than six months off-Broadway. Other successes include Counsellor-At-Law (two Lortel Awards, OBIE Award) and The Talk Of The Town, which ran for over a year in the Oak Room of the Algonquin Hotel.